Miss Mole by E.H. Young — Read

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The wind had risen strongly as night came on and Hannah crossed the Downs under swaying branches and swirling leaves. The football-players, the riders, the children had all gone home; lamps edged the roads but, where Hannah walked under the elms, there was a stormy darkness. The branches creaked lugubriously or with shrill protest, and those which still kept their leaves were like great flails, threshing the winds, maddened by their sterile efforts, for it was the wind, threshing harder, that produced the harvest, whipping it from the trees and driving it before him. Hannah was driven, too; a wisp of a woman, exhilarated by the noise and the buffeting. Lilla's comfortable, bright room seemed unreal to her, Mr. Corder was the invention of an idle moment and Hannah Mole had no past, no future, only this breathless present when the wind would have had her go westwards and she was making for the south. For ten minutes or a quarter of an hour, until she reached lower ground and the shelter of the streets, where the wind did its best with the trees in the gardens but found their weaker resistance a dull affair, she had that freedom from care which is the reward of exciting physical effort; but in the comparative quiet of Chatterton Road she became conscious of the self which needed money for food and clothing and, absurdly, she saw it handed to her by Mr. Corder on one of his own offertory plates. She shook her head and made a grimace of refusal. She had a prejudice against Nonconformist ministers, she pictured Mr. Corder according to the pattern in her mind, ignorantly unctuous, pretending to a humility which was patently absent, and she had a moment of rebellion. She could see herself clearly enough with other people's eyes: she was drab, she was nearing, if she had not reached, middle-age, she bore the stamp of a woman who had always worked against the grain, she was, in fact, the ideal housekeeper for Mr. Corder. She admitted that no one sitting in his dining-room and mending his woven underwear at a table with a rusty little fern in the middle of a green serge cloth, could look more suitable than Hannah Mole. Who would suspect her of a sense of fun and irony, of a passionate love for beauty and the power to drag it from its hidden places? Who could imagine that Miss Mole had pictured herself, at different times, as an explorer in strange lands, as a lady wrapped in luxury and delicate garments, as the mother of adorably naughty children and the inspiringly elusive mistress of a poet? She could turn up her own long nose at these fanciful excursions, without convincing herself of their improbability. The desires, the energy, the gaiety were there, but they were ruled by an ironic conception of herself which did not seem inconsistent and which was also the armour she assumed against the world when it was not willing to be friendly. And, after all, as she told herself, quelling her useless rebellion, the things she wanted, if she had them, would soon turn into those she wanted no longer and -- here was God's happy idea of compensation again -- she found a wealth of amusement in going about disguised, while because her clear-sightedness was not kept entirely for the weaknesses of others, she had to own that she who had been a failure in the lot forced on her, was not likely to be a success in any one she chose. She was a vagrant and with the vagrant's advantages, the readiness to move on, the carelessness of possessions, she had to support the inconvenience of being moved on before she was ready to go and of finding herself poorer than was comfortable. Now both these conditions had befallen her. Few things, she thought at that moment, could be more distasteful than leaving the house where she was treated as a friend, where she had a sly, lazy pleasure in listening to Mrs. Gibson's platitudes and a keener one in discomfiting Mr. Blenkinsop by waylaying him on the stairs and forcing him into conversation; a house which she could leave at her caprice for a saunter round Upper Radstowe or a long walk on the other side of the river, to which she could return with the certainty of a welcome, and she must resign all this for the sake of mending Mr. Corder's daughter's stockings and keeping herself fed and clad.

Yet it was better to be Hannah Mole than to be Lilla who could see herself as one person only, and that was Mrs. Spenser-Smith, who had never broken a basement window to save a man from gas poisoning, dragged him from the neighbourhood of the oven, and then consoled the baby who was crying, neglected, in his perambulator: better than to be poor little Mrs. Ridding with that strange look on her face. It was the look, Hannah thought, of someone who had braced herself for approaching an inevitable catastrophe and seen its postponement with despair. The look had no more than flashed across her face but Hannah had seen it and she could recall it plainly now, in the darkness. "Oh, for money! " Hannah moaned, not thinking of herself. Money could cause neurotics to be cured or, if it failed in that, it could enable a young widow to bring up her boy, and Hannah began to desire it passionately. She had heard Lilla speak with grand disparagement of it, but that was just what Lilla, who had always had it, would take care to do. Money was one of the best things in the world, used properly, used by Miss Hannah Mole, and all the way down Prince's Road she was buying annuities for people like herself, settling some thousands of pounds on Mrs. Ridding, and sending people Christmas cards and valentines in the shape of five pound notes.

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