Explore "Call for the Dead" by John le Carré on Textopian. Read with annotations and highlights.
It was long after midnight when Smiley’s telephone rang. He got up from the armchair in front of the gas fire and plodded upstairs to his bedroom, his right hand gripping the banisters tightly as he went. It was Peter, no doubt, or the police, and he would have to make a statement. Or even the Press. The murder had taken place just in time to catch today’s papers and mercifully too late for last night’s news broadcast. What would this be? ‘Maniac killer in theatre’? ‘Death-lock murder – woman named’? He hated the Press as he hated advertising and television, he hated mass-media, the relentless persuasion of the twentieth century. Everything he admired or loved had been the product of intense individualism. That was why he hated Dieter now, hated what he stood for more strongly than ever before: it was the fabulous impertinence of renouncing the individual in favour of the mass. When had mass philosophies ever brought benefit or wisdom? Dieter cared nothing for human life: dreamt only of armies of faceless men bound by their lowest common denominators; he wanted to shape the world as if it were a tree, cutting off what did not fit the regular image; for this he fashioned blank, soulless automatons like Mundt. Mundt was faceless like Dieter’s army, a trained killer born of the finest killer breed.
He picked up the telephone and gave his number. It was Mendel.