Explore "Art and the Handicraftsman" by Oscar Wilde on Textopian. Read with annotations and highlights.
The fragments of which this lecture is composed are taken entirely from the original manuscripts which have but recently been discovered. It is not certain that they all belong to the same lecture, nor that all were written at the same period. Some portions were written in Philadelphia in 1882.
PEOPLE often talk as if there was an opposition between what is beautiful and what is useful. There is no opposition to beauty except ugliness: all things are either beautiful or ugly, and utility will be always on the side of the beautiful thing, because beautiful decoration is always on the side of the beautiful thing, because beautiful decoration is always an expression of the use you put a thing to and the value placed on it. No workman will beautifully decorate bad work, nor can you possibly get good handicraftsmen or workmen without having beautiful designs. You should be quite sure of that. If you have poor and worthless designs in any craft or trade you will get poor and worthless workmen only, but the minute you have noble and beautiful designs, then you get men of power and intellect and feeling to work for you. By having good designs you have workmen who work not merely with their hands but with their hearts and heads too; otherwise you will get merely the fool or the loafer to work for you.