Explore "The Inverted Pyramid" by Bertrand W. Sinclair on Textopian. Read with annotations and highlights.
The path Rod walked approached the house by a circuitous route. It turned aside here and there like a leisurely pedestrian to skirt red-trunked arbutus with oily-green leaves and clusters of unripe berries, to curve around the base of massive firs that rose like dun pillars in a blue-vaulted forum, to pass great fibrous-barked cedars with drooping boughs wherein unseen squirrels chattered. Everywhere grass clothed the ground, a carpet with green velvet pile, close shorn. Stones great and small had been gathered in artless piles so long ago that their granite nakedness was hidden under thick moss, disguised with ivy, or bright with flowering plants, brilliant dabs of color against vivid greens and somber browns. This walk brought him at last to one end of a great stone house with wide, cool porches, deep window recesses, a roof of tiles that glowed in the sun like a cardinal's hat.
There were people sitting about on the porch, a dozen or more. Rod greeted them without halting until he reached the corner. Then he looked back over his shoulder. Through the trees on the parked slope he got a flash of the racing tide. The voice of the rapids waxed strong. Across the channel Oliver Thorn's weather-beaten house was a drab spot on the forest's edge. Over the low shoulders of Valdez the distant backbone of Vancouver Island cut the sky line into jagged tracery. That three-hundred-mile wall which stopped the marching surges from tropical seas loomed in a bluish haze out of which rose high, conical peaks, far and white and faintly shining.