God's Country and the Woman

Explore "God's Country and the Woman" by James Oliver Curwood on Textopian. Read with annotations and highlights.

In the course of nearly every human life there comes an hour which stands out above all others as long as memory lasts. Such was the one in which Philip crouched in the dog pit, his hand at Captain's collar, waiting for the sound of cry or shot. So long as he lived he knew this scene could not be wiped out of his brain. As he listened, he stared about him and the drama of it burning into his soul. Some intuitive spirit seemed to have whispered to the dogs that these tense moments were heavy with tragic possibilities for them as well as the man. Out of the surrounding darkness they stared at him without a movement or a sound, every head turned toward him, forty pairs of eyes upon him like green and opal fires. They, too, were waiting and listening. They knew there was some meaning in the attitude of this man crouching at Captain's side. Their heads were up. Their ears were alert. Philip could hear them breathing. And he could feel that the muscles of Captain's splendid body were tense and rigid.

Minutes passed. The owl hooted nearer; the wolf howled again, farther away. Slowly the tremendous strain passed and Philip began to breathe easier. He figured that Josephine and the half-breed had reached last night's meeting-place. He had given them a margin of at least five minutes -- and nothing had happened. His knees were cramped, and he rose to his feet, still holding Captain's chain. The tension was broken among the beasts. They moved; whimpering sounds came to him; eyes shifted uneasily in the gloom. Fully half an hour had passed when there was a sudden movement among them. The points of green and opal fire were turned from Philip, and to his ears came the clink of chains, the movement of bodies, a subdued and menacing rumble from a score of throats. Captain growled. Philip stared out into the darkness and listened.

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