The Master and Margarita by Mikhail Bulgakov

His nerves gave out, as they say, and Rimsky fled to his office before they finished drawing up the report. He sat at his desk and stared with inflamed eyes at the magic banknotes lying before him. The findirector's wits were addled. A steady hum came from outside. The audience poured in streams from the Variety building into the street. Rimsky's extremely sharpened hearing suddenly caught the distant trill of a policeman. That in itself never bodes anything pleasant. But when it was repeated and, to assist it, another joined in, more authoritative and prolonged, and to them was added a clearly audible guffawing and even some hooting, the findirector understood at once that something else scandalous and vile had happened in the street. And that, however much he wanted to wave it away, it was closely connected with the repulsive seance presented by the black magician and his assistants.

The keen-eared findirector was not mistaken in the least. As soon as he cast a glance out the window on to Sadovaya, his face twisted, and he did not whisper but hissed: