The Master and Margarita by Mikhail Bulgakov

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And perhaps it was the twilight that caused such a sharp change in the procurator's appearance. He aged, grew hunched as if before one's eyes, and, besides that, became alarmed. Once he looked around and gave a start for some reason, casting an eye on the empty chair with the cloak thrown over its back. The night of the feast was approaching, the evening shadows played their game, and the tired procurator probably imagined that someone was sitting in the empty chair. Yielding to his faint-heartedness and ruffling the cloak, the procurator let it drop and began rushing about the balcony, now rubbing his hands, now rushing to the table and seizing the cup, now stopping and staring senselessly at the mosaics of the floor, as if trying to read something written there.

It was the second time in the same day that anguish came over him. Rubbing his temple, where only a dull, slightly aching reminder of the morning's infernal pain lingered, the procurator strained to understand what the reason for his soul's torments was. And he quickly understood it, but attempted to deceive himself. It was clear to him that that afternoon he had lost something irretrievably, and that he now wanted to make up for the loss by some petty, worthless and, above all, belated actions. The deceiving of himself consisted in the procurator's trying to convince himself that these actions, now, this evening, were no less important than the morning's sentence. But in this the procurator succeeded very poorly.

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