Explore "The Insane Root" by Rosa Praed on Textopian. Read with annotations and highlights.
The heavy curtains of the Pacha's sitting-room closed behind Marillier, and with a dazed sensation, as though he had been breathing some heady Oriental perfume, he lingered for a moment or two in the second reception-room, which was now used as a sort of ante-room to the Ambassador's private apartments. It was strewn with flowers, and had the usual row of cards of inquiry laid upon the inlaid centre table. The portière which divided this from the further and more generally used drawing-room, was slightly parted; he could hear the rattle of tea-cups, the gentle tones of Mademoiselle Isàdas, and the mellow voice of Ruel Bey. So absorbed were the two, that they did not hear the approach of Marillier, and he, standing with the curtain in his hand, could see the scene framed as if it were a picture.
A pretty picture. The tea-table was set beneath a tall palm, of which one of the fronds hung over the portrait of the Emperor of Abaria, casting a shadow upon the refined features and the melancholy eyes with their haunting, world-wearied expression. As Marillier's gaze dropped from the Emperor's portrait to the face of the girl below it, he was struck in a sudden and, as he thought, incongruous fashion by a faint similarity, an indescribable alikeness in the oval contour of both faces, and in the shape, and, he fancied, the expression of the eyes. He could not define the likeness to himself, but accounted for it upon the supposition that Mademoiselle Isàdas must be, upon her mother's side, of Oriental descent.