Lothair by Benjamin Disraeli

There are few things finer than the morning view of Jerusalem from the Mount of Olives. The fresh and golden light falls on a walled city with turrets and towers and frequent gates: the houses of freestone, with terraced or oval roofs, sparkle in the sun, while the cupolaed pile of the Church of the Holy Sepulchre, the vast monasteries, and the broad steep of Sion crowned with the tower of David, vary the monotony of the general masses of building. But the glory of the scene is the Mosque of Omar as it rises on its broad platform of marble from the deep ravine of Kedron, with its magnificent dome high in the air, its arches and gardened courts, and its ornaments glittering amid the cedar, the cypress, and the palm.

Reclining on Olivet, Lothair, alone and in charmed abstraction, gazed on the wondrous scene. Since his arrival at Jerusalem he lived much apart, nor had he found difficulty in effecting this isolation. Mr. Phoebus had already established a studio on a considerable scale, and was engaged in making sketches of pilgrims and monks, tall donkeys of Bethlehem with starry fronts, in which he much delighted, and grave Jellaheen sheiks, who were hanging about the convents in the hopes of obtaining a convoy to the Dead Sea. As for St. Aldegonde and Bertram, they passed their lives at the Russian consulate, or with its most charming inhabitants. This morning, with the consul and his wife and the matchless sisters, as St. Aldegonde always termed them, they had gone on an excursion to the Convent of the Nativity. Dinner usually reassembled all the party, and then the Divan followed.