Making Port by Blanche Colton Williams — Read

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COMMENT. A capital example of a short-story built on two lines of interest neatly joined. One line arises from the desire of Old Tom to reach Liverpool; it illustrates a passive struggle between wishing and waiting on the one hand, and fate or chance on the other. The second line arises from the situation of Spike's being in prison, a situation motivated or brought about by the physical struggle between Spike and the bo'sun, and is marked by Spike's attempt to escape. The two lines are connected by the fact that Tom has a queer animosity for Spike, and that he is made the guardian of Spike. Old Tom's relation to his wife offers a parallel to the relation between Spike and the mission girl. Old Tom is unsuccessful, ironically so; Spike escapes.

Is the motivation for Tom's surrendering the keys of Spike's prison strong enough? What is it?

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