
Blanche Colton Williams’s study examines “Making Port” as a short story organized around two joined lines of interest: Old Tom’s hoped-for passage to Liverpool and Spike’s imprisonment and escape. It traces the plot from the killing of the bo’sun through Spike’s confinement, Tom’s custody of the key, the mission girl’s appeal, the escape, and the ironic ending. Williams identifies parallels between Tom and his wife and Spike and the mission girl, while questioning whether Tom’s surrender of the key is sufficiently motivated. Her prompts also investigate narration, pacing across a long passage of time, repeated physical habits, dialogue, sympathy for Spike, the mission girl’s portrayal, sailor superstition, setting, fate, and atmospheric forecast.
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Non-Fiction · 505 words
COMMENT. A capital example of a short-story built on two lines of interest neatly joined. One line arises from the desire of Old Tom to reach Liverpool; it illustrates a passive struggle between wishing and waiting on the one hand, and fate or chance on the other. The second line arises from the situation of Spike's being in prison, a situation motivated or brought about by the physical struggle between Spike and the bo'sun, and is marked by Spike's attempt to escape. The two lines are connected by the fact that Tom has a queer animosity for Spike, and that he is made the guardian of Spike. Old Tom's relation to his wife offers a parallel to the relation between Spike and the mission girl. Old Tom is unsuccessful, ironically so; Spike escapes.
Making Port · Blanche Colton Williams · dual plot lines · Old Tom · Spike · Liverpool · prison escape · dramatic climax · plot construction · narrative viewpoint · characterization · irony
Making Port is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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