On a Chinese Screen by William Somerset Maugham

It was a cold night. I had finished my dinner, and my boy was making up my bed while I sat over a brazier of burning charcoal. Most of the coolies had already settled themselves for the night in a room next to mine and through the thin matchboarding of the wall that separated us I heard a couple of them talk. Another party of travellers had arrived about an hour before and the small inn was full. Suddenly there was a commotion and going to the door of my room to look out I saw three sedan chairs enter the courtyard. They were set down in front of me and from the first stepped out a stout Chinese of imposing aspect. He wore a long black robe of figured silk, lined with squirrel, and on his head a square fur cap. He seemed taken aback when he saw me at the door of the principal guest chamber and turning to the landlord addressed him in authoritative tones. It appeared that he was an official and he was much annoyed to find that the best apartment in the inn was already taken.

He was told that but one room was available. It was small, with pallets covered with tumbled straw lining the walls, and was used as a rule only by coolies. He flung into a violent passion and on a sudden arose a scene of the greatest animation. The official, his two companions, and his bearers exclaimed against the indignity which it was sought to thrust upon him, while the landlord and the servants of the inn argued, expostulated, and entreated. The official stormed and threatened. For a few minutes the courtyard, so silent before, rang with the angry shouts; then, subsiding as quickly as it began, the hubbub ceased and the official went into the vacant room. Hot water was brought by a bedraggled servant, and presently the landlord followed with great bowls of steaming rice. All was once more quiet.