On a Chinese Screen by William Somerset Maugham

It seems long since the night fell, and for an hour a coolie has walked before your chair carrying a lantern. It throws a thin circle of light in front of you, and as you pass you catch a pale glimpse (like a thing of beauty emerging vaguely from the ceaseless flux of common life) of a bamboo thicket, a flash of water in a rice field, or the heavy darkness of a banyan. Now and then a belated peasant bearing two heavy baskets on his yoke sidles by. The bearers walk more slowly, but after the long day they have lost none of their spirit, and they chatter gaily; they laugh, and one of them breaks into a fragment of tuneless song. But the causeway rises and the lantern throws its light suddenly on a whitewashed wall: you have reached the first miserable houses that straggle along the path outside the city wall, and two or three minutes more bring you to a steep flight of steps. The bearers take them at a run. You pass through the city gates.

The narrow streets are multitudinous and in the shops they are busy still. The bearers shout raucously. The crowd divides and you pass through a double hedge of serried curious people. Their faces are impassive and their dark eyes stare mysteriously. The bearers, their day's work done, march with a swinging stride. Suddenly they stop, wheel to the right, into a courtyard, and you have reached the inn. Your chair is set down.