Explore "Tombstone" by Walter Noble Burns on Textopian. Read with annotations and highlights.
Tombstone, that in its days of glory as the metropolis of Arizona had 15,000 people, had dwindled to a ghost town in 1900, when only 646 inhabitants stood between it and utter extinction. But the old town refused to die. It rallied in its last ditch. It added 500 to its census roll in the next quarter of a century. It now has a population of about 1,200. So, you see, Tombstone is growing.
Tombstone is a pretty live little town. You wouldn't think so to look at it, but it is. You must be careful to distinguish between the physical town and the people who inhabit it. The buildings are of the dead past; the people of the live present. There is much public spirit. The town has its Commercial Club; the business men get together at a luncheon every week; the welfare and improvement of the town are always uppermost. Tombstone is on a coast-to-coast motor highway. Cars go through by the hundred every day. The historic associations interest these travellers, whose flying trade is of great annual value. Camps have been established; tourists are made welcome. To increase interest in Tombstone, it is planned to turn the old Bird Cage Theatre into a museum to be filled with mementos of the town's early history. Which would seem an excellent idea. The town's isolation is an element deterrent to its development as a business or manufacturing centre but the citizens hope in time to build it into a great health resort, for which its situation might seem ideal. Its winters are springlike and, because of its elevation, it is immune from the intense summer heat which prevails in some other sections of Arizona. It has an abundant supply of cold water piped from springs in the Huachucas; its air is pure and dry; its glorious sunshine perennial; and about it is the beauty of deserts and mountains.