The Splendid Fairing by Constance Holme — Read

The blackness stirred in the doorway and became human again, setting the door to the jamb with a firm, decisive push. Sarah followed the dark stone passage to the kitchen, moving with freedom on the ground she knew. In the bare, silent room, that seemed at the same time barer and yet more peopled because of the dusk, she took off her old mantle, her shabby bonnet and her black thread gloves. She set a lighted candle on the table in the middle of the room, and from the cupboard by the hearth she took paper and wood, and kindled a pale, unhomely glow in the dusty, ash-filled grate. In the outer darkness that was the scullery she filled the kettle, and brought it to wait the reluctant patronage of the fire. It was not yet night over the sands, but the candle was more than sufficient to quench the fainting effort of the day. The only outside light was the steady glow of the lamp, set in the face of the inn to call its daughter home.

Still, however, the house seemed unaroused, and would remain so until the master came in, because those who live much by themselves do not hear the sound of their own feet. They seem to themselves to move like ghosts through the rooms; it is only their thoughts that they hear about the place. And there are no houses so quiet as those which spend half their days hearkening to that eternal talker, the sea. The other half of their lives is still as the sands are still, sharing that same impression of quittance for all time.