A Passage to India by E.M. Forster

All the time the palace ceased not to thrum and tum-tum. The revelation was over, but its effect lasted, and its effect was to make men feel that the revelation had not yet come. Hope existed despite fulfilment, as it will be in heaven. Although the God had been born, His procession-loosely supposed by many to be the birth-had not taken place. In normal years, the middle hours of this day were signalized by performances of great beauty in the private apartments of the Rajah. He owned a consecrated troupe of men and boys, whose duty it was to dance various actions and meditations of his faith before him. Seated at his ease, he could witness the Three Steps by which the Saviour ascended the universe to the discomfiture of Indra, also the death of the dragon, the mountain that turned into an umbrella, and the saddhu who (with comic results) invoked the God before dining.

All culminated in the dance of the milkmaidens before Krishna, and in the still greater dance of Krishna before the milkmaidens, when the music and the musicians swirled through the dark blue robes of the actors into their tinsel crowns, and all became one. The Rajah and his guests would then forget that this was a dramatic performance, and would worship the actors. Nothing of the sort could occur to-day, because death interrupts. It interrupted less here than in Europe, its pathos was less poignant, its irony less cruel. There were two claimants to the throne, unfortunately, who were in the palace now and suspected what had happened, yet they made no trouble, because religion is a living force to the Hindus, and can at certain moments fling down everything that is petty and temporary in their natures. The festival flowed on, wild and sincere, and all men loved each other, and avoided by instinct whatever could cause inconvenience or pain.