Tono-Bungay by H.G. Wells — Read

Then presently we resumed our monstrous, momentous dialogue. I can't now make out how long that dialogue went on. It spread itself, I know, in heavy fragments over either three days or four. I remember myself grouped with Marion, talking sitting on our bed in her room, talking standing in our dining-room, saving this thing or that. Twice we went for long walks. And we had a long evening alone together, with jaded nerves and hearts that fluctuated between a hard and dreary recognition of facts and, on my part at least, a strange unwonted tenderness; because in some extraordinary way this crisis had destroyed our mutual apathy and made us feel one another again.

It was a dialogue that had discrepant parts that fell into lumps of talk that failed to join on to their predecessors, that began again at a different level, higher or lower, that assumed new aspects in the intervals and assimilated new considerations. We discussed the fact that we two were no longer lovers; never before had we faced that. It seems a strange thing to write, but as I look back, I see clearly that those several days were the time when Marion and I were closest together, looked for the first and last time faithfully and steadfastly into each other's soul. For those days only, there were no pretences, I made no concessions to her nor she to me; we concealed nothing, exaggerated nothing. We had done with pretending. We had it out plainly and soberly with each other. Mood followed mood and got its stark expression.