Tono-Bungay by H.G. Wells — Read

When I think of my uncle near the days of his Great Boom and in connection with the actualities of his enterprises, I think of him as I used to see him in the suite of rooms he occupied in the Hardingham Hotel, seated at a great old oak writing-table, smoking, drinking, and incoherently busy; that was his typical financial aspect -- our evenings, our mornings, our holidays, our motorcar expeditions, Lady Grove and Crest Hill belong to an altogether different set of memories.

These rooms in the Hardingham were a string of apartments along one handsome thick-carpeted corridor. All the doors upon the corridor were locked except the first; and my uncle's bedroom, breakfast-room and private sanctum were the least accessible and served by an entrance from the adjacent passage, which he also used at times as a means of escape from importunate callers. The most eternal room was a general waiting-room and very businesslike in quality; it had one or two uneasy sofas, a number of chairs, a green baize table, and a collection of the very best Moggs and Tone posters: and the plush carpets normal to the Hardingham had been replaced by a grey-green cork linoleum; Here I would always find a remarkable miscellany of people presided over by a peculiarly faithful and ferocious looking commissioner, Ropper, who guarded the door that led a step nearer my uncle. Usually there would be a parson or so, and one or two widows; hairy, eyeglassy, middle-aged gentlemen, some of them looking singularly like Edward Ponderevos who hadn't come off, a variety of young and youngish men more or less attractively dressed, some with papers protruding from their pockets, others with their papers decently concealed. And wonderful, incidental, frowsy people.