Tono-Bungay by H.G. Wells — Read

For nearly all the time that my uncle was incubating and hatching Crest Hill I was busy in a little transverse valley between that great beginning and Lady Grove with more and more costly and ambitious experiments in aerial navigation. This work was indeed the main substance of my life through all the great time of the Tono-Bungay symphony.

I have told already how I came to devote myself to this system of inquiries, how in a sort of disgust with the common adventure of life I took up the dropped ends of my college studies, taking them up again with a man's resolution instead of a boy's ambition. From the first I did well at this work. It -- was, I think, largely a case of special aptitude, of a peculiar irrelevant vein of faculty running through my mind. It is one of those things men seem to have by chance, that has little or nothing to do with their general merit, and which it is ridiculous to be either conceited or modest about. I did get through a very big mass of work in those years, working for a time with a concentrated fierceness that left little of such energy or capacity as I possess unused. I worked out a series of problems connected with the stability of bodies pitching in the air and the internal movements of the wind, and I also revolutionised one leading part at last of the theory of explosive engines. These things are to be found in the Philosophical Transactions, the Mathematical Journal, and less frequently in one or two other such publications, and they needn't detain us here. Indeed, I doubt if I could write about them here. One acquires a sort of shorthand for one's notes and mind in relation to such special work. I have never taught nor lectured, that is to say, I have never had to express my thoughts about mechanical things in ordinary everyday language, and I doubt very much if I could do so now without extreme tedium.