A Son at the Front by Edith Wharton

Read "A Son at the Front" by Edith Wharton online for free on Textopian. Full text with search, annotations, highlights, and AI-powered reading aids.

The night was so lovely that, though the Boulogne express arrived late, George at once proposed dining in the Bois.

His luggage, of which, as usual, there was a good deal, was dropped at the Crillon, and they shot up the Champs Elysées as the summer dusk began to be pricked by lamps.

"How jolly the old place smells! " George cried, breathing in the scent of sun-warmed asphalt, of flowerbeds and freshly-watered dust. He seemed as much alive to such impressions as if his first word at the station had not been: "Well, this time I suppose we're in for it. " In for it they might be; but meanwhile he meant to enjoy the scents and scenes of Paris as acutely and unconcernedly as ever.

Campton had hoped that he would pick out one of the humble cyclists' restaurants near the Seine; but not he. "Madrid, is it? " he said gaily, as the taxi turned into the Bois; and there they sat under the illuminated trees, in the general glitter and expensiveness, with the Tziganes playing down their talk, and all around them the painted faces that seemed to the father so old and obvious, and to the son, no doubt, so full of novelty and mystery.

The music made conversation difficult; but Campton did not care. It was enough to sit and watch the face in which, after each absence, he noted a new and richer vivacity. He had often tried to make up his mind if his boy were handsome. Not that the father's eye influenced the painter's; but George's young head, with its thick blond thatch, the complexion ruddy to the golden eyebrows, and then abruptly white on the forehead, the short amused nose, the inquisitive eyes, the ears lying back flat to the skull against curly edges of fair hair, defied all rules and escaped all classifications by a mixture of romantic gaiety and shrewd plainness like that in certain eighteenth-century portraits.

As father and son faced each other over the piled-up peaches, while the last sparkle of champagne died down in their glasses, Campton's thoughts went back to the day when he had first discovered his son. George was a schoolboy of twelve, at home for the Christmas holidays. At home meant at the Brants', since it was always there he stayed: his father saw him only on certain days. Usually Mariette fetched him to the studio on one afternoon in the week; but this particular week George was ill, and it had been arranged that in case of illness his father was to visit him at his mother's. He had one of his frequent bad colds, and Campton recalled him, propped up in bed in his luxurious overheated room, a scarlet sweater over his nightshirt, a book on his thin knees, and his ugly little fever-flushed face bent over it in profound absorption.

Till that moment George had never seemed to care for books: his father had resigned himself to the probability of seeing him grow up into the ordinary pleasant young fellow, with his mother's worldly tastes. But the boy was reading as only a bookworm reads-reading with his very finger-tips, and his inquisitive nose, and the perpetual dart ahead of a gaze that seemed to guess each phrase from its last word. He looked up with a smile, and said: "Oh, Dad. " but it was clear that he regarded the visit as an interruption. Campton, leaning over, saw that the book was a first edition of Lavengro.

"Where the deuce did you get that?"

George looked at him with shining eyes. "Didn't you know? Mr. Brant has started collecting first editions. There's a chap who comes over from London with things for him. He lets me have them to look at when I'm seedy. I say, isn't this topping? Do you remember the fight? " And, marvelling once more at the ways of Providence, Campton perceived that the millionaire's taste for owning books had awakened in his stepson a taste for reading them. "I couldn't have done that for him," the father had reflected with secret bitterness. It was not that a bibliophile's library was necessary to develop a taste for letters; but that Campton himself, being a small reader, had few books about him, and usually borrowed those few. If George had lived with him he might never have guessed the boy's latent hunger, for the need of books as part of one's daily food would scarcely have presented itself to him.

From that day he and George had understood each other. Initiation had come to them in different ways, but their ardour for beauty had the same root. The visible world, and its transposition in terms of one art or another, were thereafter the subject of their interminable talks; and Campton, with a passionate interest, watched his son absorbing through books what had mysteriously reached him through his paintbrush.

They had been parted often, and for long periods; first by George's schooling in England, next by his French military service, begun at eighteen to facilitate his entry into Harvard; finally, by his sojourn at the University. But whenever they were together they seemed to make up in the first ten minutes for the longest separation; and since George had come of age, and been his own master, he had given his father every moment he could spare.

His career at Harvard had been interrupted, after two years, by the symptoms of tuberculosis which had necessitated his being hurried off to the Engadine. He had returned completely cured, and at his own wish had gone back to Harvard; and having finished his course and taken his degree, he had now come out to join his father on a long holiday before entering the New York banking-house of Bullard and Brant.

Reading navigation