
Blanche Colton Williams’s study of Barry Benefield’s “Miss Willett” examines how a remembered New York show-window exhibit became a character-centered short story. Using Benefield’s own account of the story’s origin, Williams contrasts the initial image with the completed fiction and argues that character outweighs incident. The section directs readers to trace suggestion surrounding a sculptured Christ, identify the turn in Miss Willett’s fortunes, and map the action from discovery through climax and dénouement. It compares mystical and non-mystical interpretations of causation, considers which figure functions as the chief character, and studies Miss Willett’s repeated physical presentation. It also analyzes plot-useful details such as the gray kitten, the setting, and patterns of color, light, and sound.
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Non-Fiction · 647 words
THE STARTING-POINT. Mr. Benefield states that it has been so long since he wrote "Miss Willett" that the processes of growth have gone out of his memory. He is sure, however, that the story had its origin in a show-window exhibit on a street in New York, where a negro woman of a most evil expression used to demonstrate a folding bed. "I probably noted the exhibit in a book, left it for weeks or months and then one day when I needed an idea I opened the note-book, turned over the pages, stared at the scribbled note, and the elements of the story as written floated to the center of consciousness and joined in a more or less rough but complete whole. After that it was merely a matter of chiseling it into shape. " -- _Barry Benefield._
Blanche Colton Williams · Barry Benefield · Miss Willett · short-story study · story construction · principle of suggestion · mystical interpretation · plot climax · dénouement · characterization · sculptured Christ · setting
Miss Willett is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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