
Blanche Colton Williams’s study of “Solitaire” examines Fleta Campbell Springer’s character-centered short story through its stated origin, plot structure, narrative method, characterization, setting, and title. It opens with Springer’s account of developing Corey from a visual impression of a physician encountered in Paris, then separates the story’s action into initial impulse, dramatic climax, action climax, and dénouement. Williams explains how an outer narrator, Mr. Ewing, and Burke relay information across a long span of events while keeping attention fixed on Corey. The analysis interprets his decorations, self-suspicion, and final conduct as expressions of a punitive moral code, reinforced by the solitaire anecdote and by the contrast between the Middle West and France.
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 1,743 words
STARTING POINT. "You ask about the origin of ‘Solitaire,' which chances to be rather easier to trace than the origin of most of the stories I have written, since I more often begin with an abstract ‘idea' and work outward to character and plot. When a story begins otherwise I have discovered (and all such things are matters of discovery after the fact, and never of premeditation) that it is almost invariably the result of some purely _visual_ impression of a single person, detached from any incident or complication. A stranger, seen once, who recurs again and again to my mind, and about whom my curiosity increases, I have learned to rely upon, in a kind of occult unstatable way, to bring home his own plot.
Blanche Colton Williams · Fleta Campbell Springer · Solitaire · short-story criticism · plot stages · nested narration · narrative viewpoint · Dr. Jim Corey · character unity · decorations motif · chance in fiction · Middle West and France
Solitaire is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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