
Blanche Colton Williams’s study of “The Dark Hour” explains how the underlying story creates conflict without a conventional plot: its action is a fragmentary deck-side discussion between the sick Hallett and his physician aboard a homeward-bound vessel. Williams traces their opposed views of war, showing Hallett’s demand for a hopeful Allied “vision” against the doctor’s more practical insistence on victory. She interprets the star, the watch’s cry of “All’s well,” and the shipboard setting as symbols that deepen the dialogue’s optimistic prophecy of democracy and revolution. The analysis also characterizes Hallett as spiritually oriented and the physician as an earthly, material counterweight, and links the piece to Virgil Jordan’s “Vengeance is Mine.”
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 402 words
"The Dark Hour" has, in the story sense, no plot. The only action lies in a fragmentary discussion between the sick man, Hallett, and his physician who paces the deck of the homeward bound vessel. The only hint of a struggle lies in the conflicting viewpoints of the two men.
Hallett holds that Germany has a vision -- "a red, bloody, damned vision" -- but a vision. The Allies have, as yet, no vision.
Blanche Colton Williams · The Dark Hour · short-story criticism · dialogue construction · absence of conventional plot · Hallett · physician character contrast · war and the Allies · vision of democracy · star symbolism · shipboard setting · watch cry
The Dark Hour is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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