The Bird of Serbia

The Bird of Serbia by Blanche Colton Williams

Blanche Colton Williams’s study of Julian Street’s “The Bird of Serbia” maps the story’s construction from initial impulses through minor and dramatic climaxes, action climax, and dénouement. It explains how the love conflict between Gavrilo and Mara intersects with Serbian-Austrian tensions, and how the caged kos becomes a contested emblem of will, captivity, and national freedom. The analysis identifies plot craftsmanship, including the bird motif, Gavrilo’s marksmanship, and the cousin’s role in intensifying conflict. It also examines the smoking-car frame narrator, delayed naming of Sarajevo, local-color detail, characterization, and the story’s “microscopic unclean forces.” Williams quotes Street on the difficulties of the embedded narrated tale and on valuing deftness and truth over merely weighty subject matter.

By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 1,640 words

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STARTING POINT. In "The Bird of Serbia," Mr. Street desired to say through the medium of fiction a certain thing. "Perhaps I wanted to say: ‘Nothing is so small or so nasty that it can not be made to serve an autocratic ruler in carrying out his designs. ' So, then, I took as my symbol for smallness and nastiness, the louse. And then I set out to prove that lice could serve the autocrat who wished to start a war. I wanted to show how very true that theory is, and I should say that the quality of truth in that story -- the convincingness of it -- is the best thing about it. " -- _Julian Street._

PLOT.

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Blanche Colton Williams · Julian Street · The Bird of Serbia · short-story criticism · plot structure · dramatic climax · bird motif · Gavrilo and Mara · frame narration · smoking-car narrator · Sarajevo setting · local color

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The Bird of Serbia is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.

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