The work examines the relationship between art, particularly drama, and Puritanism in England during the seventeenth century. It critiques the prevailing attitudes towards art, suggesting that while the Puritans are often viewed as suppressors of artistic expression, their opposition stemmed from a moral stance against the perceived immorality of contemporary plays. The author argues that the Puritans' disdain for the stage was justified, as many plays of the time glorified vice and depicted themes of adultery and crime without moral consequence. The text contrasts the Puritan perspective with the prevailing courtly culture, which embraced a more hedonistic view of art. It highlights the decline of dramatic quality and moral integrity in plays, suggesting that the Puritans' critiques were not merely puritanical but rooted in a desire for a higher standard of artistic expression. The author also reflects on the legacy of Puritan values in contemporary society, noting that many of their critiques have been validated over time. Ultimately, the work calls for a reevaluation of the Puritan stance on art, suggesting that their legacy may offer valuable lessons for modern artistic endeavors.
By Charles Kingsley · First published 1851 · Genre: Plays, Drama, Historical