
The novel revolves around the lives of several characters connected to the Catholic Church in France during the late 19th century. The story explores themes of faith, morality, and social class through the experiences of its protagonists.
By Émile Zola · First published 1902 · Genre: Literary Fiction, Historical Fiction, Social Critique · 4 chapters · 74,048 words
IN his anxiety to bring things to a finish, Pierre wished to begin his campaign on the very next day. But on whom should he first call if he were to steer clear of blunders in that intricate and conceited ecclesiastical world? The question greatly perplexed him; however, on opening his door that morning he luckily perceived Don Vigilio in the passage, and with a sudden inspiration asked him to step inside. He realised that this thin little man with the saffron face, who always trembled with fever and displayed such exaggerated, timorous discretion, was in reality well informed, mixed up in everything. At one period it had seemed to Pierre that the secretary purposely avoided him, doubtless for fear of compromising himself; but recently Don Vigilio had proved less unsociable, as though he were not far from sharing the impatience which must be consuming the young Frenchman amidst his long enforced inactivity.
The Three Cities, Rome Volume IV is listed on Textopian as a novel by Émile Zola, dated 1902 CE.
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Historical Fiction · French Literature · 19th Century · Catholic Church · Religion · Philosophy · Politics · Social Commentary · Realism · Naturalism · Romanticism · Tragedy