The narrative begins with a conflict between two figures, Poutini and Whaiapu, stemming from a dispute over jade stones. Hine-tū-a-hōanga, the guardian of Whaiapu's stone, expels Ngāhue, the bearer of Poutini, leading him to seek refuge in a new land. Ngāhue discovers Aotearoa (New Zealand) and, to avoid further conflict, travels further along the coast to Arahura, where he establishes a resting place for his jade stone. He crafts tools and ornaments from the jade, which he later brings back to Hawaiki, where he finds his people engaged in warfare. His tales of Aotearoa's resources inspire many to emigrate. To facilitate this migration, the inhabitants of Hawaiki construct canoes, notably the Arawa, from a tōtara tree. Skilled craftsmen, including Rātā and Wahieroa, collaborate on this project. Hoturoa, a chief, requests assistance to build additional canoes, leading to the creation of Tainui and others. The narrative details the construction process, including the use of jade axes, which are significant artifacts in their culture. As the canoes are completed, tensions arise, exemplified by Rātā's violent act against Manaia's son, which he conceals within the canoe's remnants. The axes, crafted from Ngāhue's jade, symbolize the connection between the past and the journey ahead. The story emphasizes the importance of these canoes, which carry the ancestors across the ocean to Aotearoa, marking a pivotal moment in their history and cultural identity. The migration is portrayed as a response to both conflict and opportunity, highlighting the resilience and resourcefulness of the people.
By George Grey · Genre: Mythology, Historical Fiction, Adventure