The Whole White World

The Whole White World

This novel explores the complexities of human relationships and identity through a non-linear narrative structure. The story revolves around a woman's journey to self-discovery, navigating her past experiences and emotions in an attempt to reconcile with her present. The protagonist's inner world is characterized by a sense of disconnection from reality, as she struggles to distinguish between fantasy and reality. Her relationships with others are marked by a deep-seated need for validation and intimacy, often leading to feelings of isolation and disorientation. Throughout the novel, themes of identity, morality, and the search for meaning are explored in depth. The narrative is fragmented and introspective, reflecting the protagonist's disjointed mental state as she grapples with her own sense of self. Ultimately, the novel presents a nuanced portrayal of human experience, highlighting the complexities and contradictions that define us all.

By Hilda Doolittle · First published 1929 · Genre: Poetry, Imagism, Nature · 213 words

First lines

The whole white world is ours, and the world, purple with rose-bays, bays, bush on bush, group, thicket, hedge and tree, dark islands in a sea of grey-green olive or wild white-olive, cut with the sudden cypress shafts, in clusters, two or three, or with one slender, single cypress-tree.

Slid from the hill, as crumbling snow-peaks slide, citron on citron fill the valley, and delight waits till our spirits tire of forest, grove and bush and purple flower of the laurel-tree.

Yet not one wearies, joined is each to each in happiness complete with bush and flower: ours is the wind-breath at the hot noon-hour, ours is the bee's soft belly and the blush of the rose-petal, lifted, of the flower.

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The Whole White World is listed on Textopian as a poem by Hilda Doolittle, dated 1929 CE.

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Modernist poetry · Imagism movement · Free verse · Stream-of-consciousness narrative · Experimental prose · Autobiographical elements · Coming of age story · Female perspective · American literature · Early 20th century writing · Symbolic language · Nature imagery

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