
The Pool by Hilda Doolittle (1919)
The narrative revolves around a woman's introspection and emotional turmoil following her husband's death. She grapples with the loss of her partner and the disintegration of their relationship. The story explores themes of grief, loneliness, and the complexities of human emotions.
By Hilda Doolittle · First published 1919 · Genre: Imagist Poetry, Modernist Poetry, Symbolism · 28 words
First lines
Are you alive?
I touch you.
You quiver like a sea-fish.
I cover you with my net.
What this Textopian page supports
The Pool is listed on Textopian as a poem by Hilda Doolittle, dated 1919 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Poem
- Author: Hilda Doolittle
- Date: 1919 CE
- Language: English
- Genres: Imagist Poetry, Modernist Poetry, Symbolism
- Length: 28 words
- Structure: 1 section, 5 paragraphs
- Reading fit: Very Easy (5th Grade or below)
Good citation fit
- Work identity for The Pool by Hilda Doolittle
- Canonical title URL and first readable passage URL
- Genre and topic classification from the Textopian catalog
- Readability and classroom-planning context
- Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph
Discussion starters
- What should a reader notice first when entering The Pool?
- How does this poem by Hilda Doolittle fit its genre, period, or classroom use?
- Where does Imagist Poetry first become important in the reading?
Similar titles
Genres
- Imagist Poetry — The work exemplifies imagist poetry through its vivid imagery and concise language.
- Modernist Poetry — The poem reflects modernist themes of ambiguity and introspection.
- Symbolism — The use of symbols such as the 'sea-fish' and 'net' suggests deeper meanings beyond the literal text.
Tags
Modernist poetry · Symbolic language · Stream-of-consciousness narrative · Inner monologue · Imagery-rich prose · Nature imagery · Water symbolism · Emotional introspection · Psychological complexity · Lyrical style · Free verse · Experimentation with form
More by Hilda Doolittle