The Gift

The Gift by Mina Loy (1923)

The work explores themes of parental authority, economic power, and the quest for identity through the lens of a child's perception. It begins with a depiction of a father figure who embodies wealth and control, presenting a duality of admiration and resentment. The child perceives the father as a source of riches, yet also as a tyrant whose influence shapes her understanding of value and existence. The narrative unfolds as the child grapples with the complexities of her relationship with her father, who offers her a coin, symbolizing both opportunity and the constraints of his power. This moment ignites a sense of hope and ambition within her, as she dreams of purchasing a circus, a metaphor for freedom and creativity. However, the interaction is tinged with skepticism from those around her, highlighting societal norms and the skepticism towards youthful aspirations. As the child navigates her environment, she encounters various figures that represent different societal roles and attitudes towards wealth and ambition. The juxtaposition of her dreams against the harsh realities of adult expectations creates a tension that permeates the work. The imagery of the father as a "golden octopus" suggests a suffocating grasp on her potential, while the vibrant descriptions of her surroundings reflect her yearning for liberation. The narrative ultimately questions the nature of gifts and the true cost of ambition. The child's journey is marked by a struggle between the allure of material wealth and the desire for genuine self-expression. The work delves into the psychological impact of familial relationships and societal pressures, illustrating how they shape one's aspirations and sense of self. Through vivid imagery and a fragmented structure, the piece captures the complexities of childhood innocence confronted with the realities of adult life. The exploration of economic themes serves as a backdrop for a deeper inquiry into identity, autonomy, and the often conflicting desires for love and independence. The work concludes with an unresolved tension, leaving the reader to ponder the implications of the child's choices and the enduring influence of her father's legacy.

By Mina Loy · First published 1923 · Genre: Poetry, Modernism, Symbolism · 416 words

First lines

Somewhat above the level of the entrailed anger of the mother the pockets of the Father invisible -- depth -interminable from whence spring riches and a sullen economic war houses and food and fire proceed from them and over them he crows continually Proximity to Ova's skulled mentality of money which magically is life He tells her he is a good Father his child must obey him should he choose to do so he can bestow upon her whatever she pray him Heseems a sovereign the maximum of money A golden octopus grasping She is asking for a sovereign to buy a circus universe Laughing he gives her a shining coin She is exalted in spontaneous knowledge of beauty She confronts the solution of her destiny and sudden the potentiality of achievement through her august parent "I will buy ‘all this' my sovereign The flower seller is bewildered --

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The Gift is listed on Textopian as a poem by Mina Loy, dated 1923 CE.

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Modernist poetry · Experimental literature · Surrealist movement · Feminist themes · Autobiographical elements · Stream-of-consciousness narrative · Imagism influence · Free verse · Symbolic language · Psychoanalytic undertones · Existential crisis · Inner turmoil

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