The Wife-Blessed

Name: The Wife-Blessed
Author: James Whitcomb Riley

This poem explores the theme of marriage and domestic life through a nostalgic and sentimental lens. It portrays a wife who has been blessed with a loving husband and children, but also acknowledges the hardships and struggles that come with family life. The speaker reflects on the passing of time and how it affects relationships, highlighting the importance of cherishing moments together.

By James Whitcomb Riley · First published 1885 · Genre: Poetry, Romantic, Symbolism · 174 words

First lines

I. In youth he wrought, with eyes ablur, Lorn-faced and long of hair -- In youth -- in youth he painted her A sister of the air -- Could clasp her not, but felt the stir Of pinions everywhere.

II. She lured his gaze, in braver days, And tranced him sirenwise; And he did paint her, through a haze Of sullen paradise, With scars of kisses on her face And embers in her eyes.

III. And now -- nor dream nor wild conceit -- Though faltering, as before -- Through tears he paints her, as is meet, Tracing the dear face o'er With lilied patience meek and sweet As Mother Mary wore.

What this Textopian page supports

The Wife-Blessed is listed on Textopian as a poem by James Whitcomb Riley, dated 1885 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Poem
Author: James Whitcomb Riley
Date: 1885 CE
Language: English
Genres: Poetry, Romantic, Symbolism, Religious, Impressionism
Length: 174 words
Structure: 1 section, 3 paragraphs
Reading fit: Fairly Easy (7th Grade)

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Similar titles

Genres

Poetry — The work is structured in verses and stanzas, employing rhyme and meter typical of poetic form.
Romantic — Themes of love, longing, and idealization of a female figure are central to the narrative.
Symbolism — The use of imagery such as 'sister of the air' and 'pinions' suggests deeper symbolic meanings.
Religious — References to 'Mother Mary' and 'lilied patience' imply religious undertones.