The Paradox

The Paradox by John Donne (1633)

A speaker rejects the very notion that a lover can declare his own love or that anyone can judge a true lover, insisting that each lover believes no other can love as he does. He refuses to say he loved, comparing such a claim to a dead man saying he was killed yesterday. Love burns with excessive heat while death kills with cold, and since we die but once, whoever loved last has truly died; anyone who claims to have loved twice lies, for any apparent continued movement or stirring afterward is merely an illusion that deceives the senses. Such a lingering semblance of life resembles light that remains visible after its source has been extinguished, or the heat that fire leaves behind in solid matter two hours later. The speaker declares that he once loved and died, and has now become his own epitaph and tomb: here dead men speak their last words, and so does he, proclaiming himself love-slain as he dies.

By John Donne · First published 1633 · Genre: Metaphysical Poetry, Love Poetry, Philosophical Poetry · 231 words

First lines

No lover saith, I love, nor any other / Can judge a perfect lover; / He thinks that else none can or will agree, / That any loves but he; / I cannot say I loved, for who can say / He was kill'd yesterday. / Love with excess of heat, more young than old, / Death kills with too much cold; / We die but once, and who loved last did die, / He that saith, twice, doth lie; / For though he seem to move, and stir a while, / It doth the sense beguile. / Such life is like the light which bideth yet / When the life's light is set, / Or like the heat which fire in solid matter / Leaves behind, two hours after. / Once I loved and died; and am now become / Mine epitaph and tomb; / Here dead men speak their last, and so do I; / Love-slain, lo! here I die.

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metaphysical poetry · paradox · spirituality · love · mortality · religious themes · soul · contradiction · Renaissance literature · metaphor · introspection · human condition

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