Laus Deo

Laus Deo by Madison Cawein (1911)

The poem presents a vivid and reverent depiction of dawn as a sacred event, likening the morning to a religious ceremony. The dawn is personified as a nun, cloaked in gray, entering a vast church represented by the sky. The hills are adorned in purple, resembling priests in ceremonial attire, as they offer mist to the rising sun, which is portrayed with grandeur and majesty. The imagery emphasizes the transformation of the landscape at dawn, where the pines are draped in light, creating a sense of solemnity and worship. The valleys and heights are described as shrines, with the forests acting as worshippers, lifting their "chalice" to the sun, signifying the end of night and the arrival of day. This celebration of nature and the divine highlights the interconnectedness of the natural world and spiritual reverence, portraying dawn as a time of renewal and hope. The poem continues to explore themes of light versus darkness, the cyclical nature of time, and the beauty found in the natural world. The language is rich with metaphor and imagery, inviting readers to reflect on the significance of dawn not just as a time of day, but as a profound moment of spiritual awakening and connection to the divine. The overall tone is one of awe and reverence, capturing the essence of a sacred ritual that unfolds with the arrival of light.

By Madison Cawein · First published 1911 · Genre: Poetry, Nature, Religious · 169 words

First lines

In her vast church of glimmering blue, Gray-stoled from feet to chin, Her dark locks beaded with the dew, The nun-like dawn comes in: At once the hills put on their spencers Of purple, swinging streaming censers Of mist before the God of Day Who goes with pomp his way.

With sapphire draperies of light Is hung the sombre pines; Filling each valley, every height With sacerdotal lines -- Shrines, where, like priests with worship vestured, The forests bow and, heavenly gestured, Lift high the chalice of the sun, Intoning, "Night is done! "

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Laus Deo is listed on Textopian as a poem by Madison Cawein, dated 1911 CE.

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Poetry · American Literature · Symbolism · Nature · Spirituality · Philosophy · Free Verse · Imagery · Metaphor · Allegory · Mystery · Faith

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