To-Morrow

To-Morrow by Madison Cawein (1902)

The poem presents a haunting and ethereal figure, a Lorelei, who captivates and ensnares the souls of men. She is depicted as a beautiful, almost supernatural being, sitting by a stream, her presence both enchanting and perilous. The imagery evokes a sense of timelessness, as she weaves her spell through music, drawing men to their doom. The Lorelei's song is described as a siren call, leading men to abandon reason and succumb to their desires. The juxtaposition of beauty and danger is central to the theme, illustrating how allure can lead to destruction. The men, portrayed as "blind brutes," are entranced by her beauty, ultimately leading to their demise as they are overwhelmed by the depths of the stream. The poem explores the duality of attraction and peril, emphasizing the consequences of succumbing to temptation. The Lorelei embodies both the ideal of beauty and the reality of fatal consequences, serving as a cautionary figure. The work reflects on the nature of desire, the fragility of human life, and the inevitable fate that awaits those who cannot resist the call of the enchanting yet deadly. Overall, the piece captures the essence of romanticism, blending elements of nature, beauty, and the darker aspects of human experience, ultimately presenting a timeless narrative about the dangers of unchecked desire.

By Madison Cawein · First published 1902 · Genre: Poetry, Romanticism, Symbolism · 101 words

First lines

A Lorelei full fair she sits Throned on the stream that dimly rolls; Still, hope-thrilled, with her wild harp knits To her from year to year men's souls.

They hear her harp, they hear her song, Led by the wizard beauty high, Like blind brutes maddened rush along, Sink at her cold feet, gasp and die.

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To-Morrow is listed on Textopian as a poem by Madison Cawein, dated 1902 CE.

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Poetry · American Literature · 19th Century · Symbolism · Nature · Philosophy · Existentialism · Mortality · Time · Space · Imagination · Reality

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