In the Roar of the Sea

Name: In the Roar of the Sea
Author: Sabine Baring-Gould

The narrative follows Judith Trevisa, a young girl living in a parsonage in Cornwall, as she navigates the challenges of life after the death of her father, Reverend Peter Trevisa. The story begins with Judith playing in the garden, unaware of her father's declining health. When he collapses, she is thrust into a world of responsibility, caring for her twin brother Jamie, who is mentally challenged, and dealing with the harsh realities of their situation. Judith's father had been a dedicated rector, struggling against the encroaching sands that threatened to bury his church and the apathy of his parishioners. After his death, Judith and Jamie are left vulnerable, with their only relative, Aunt Dionysia, being unsympathetic and self-serving. The siblings are taken in by Mr. Zachary Menaida, a kind but eccentric man who struggles with his own issues, including a penchant for alcohol. As Judith tries to maintain a semblance of normalcy for Jamie, she encounters Cruel Coppinger, a notorious smuggler who has a complicated relationship with her father. Their interactions reveal Coppinger's complex character; he is both a threat and a protector. After a confrontation where Judith defends herself against Coppinger's aggression, she inadvertently injures him, leading to a series of events that intertwine their fates. Coppinger, despite his criminal background, shows a softer side towards Judith, offering her treasures from his illicit dealings and even protecting her from the dangers posed by the coast-guard. Judith grapples with her feelings towards him, torn between the fear instilled by his reputation and the kindness he shows her. As the story progresses, Judith learns of a plot against Coppinger by the coast-guard, who are determined to capture him during a smuggling operation. Realizing that she must act to save him, she bravely ventures out into the night to warn him, demonstrating her growth and courage. The narrative culminates in a tense encounter where Judith's quick thinking and bravery are put to the test as she navigates the treacherous cliffs and the dangers of the sea. Ultimately, the story explores themes of loyalty, the complexity of human nature, and the struggle between good and evil, as Judith learns to navigate her new reality while protecting her brother and confronting her own fears. The relationship between Judith and Coppinger evolves, challenging her perceptions and forcing her to reconsider the nature of cruelty and kindness in a world fraught with moral ambiguity.

By Sabine Baring-Gould · First published 1898 · Genre: Adventure, Historical Fiction, Literary Fiction · 54 chapters · 173,539 words

First lines

Sitting in the parsonage garden, in a white frock, with a pale green sash about her waist, leaning back against the red-brick wall, her glowing copper hair lit by the evening sun, was Judith Trevisa.

She was tossing guelder-roses into the air; some dozens were strewn about her feet on the gravel, but one remained of the many she had plucked and thrown and caught, and thrown and caught again for a sunny afternoon hour. As each greenish-white ball of flowers went up into the air it diffused a faint but pleasant fragrance.

What this Textopian page supports

In the Roar of the Sea is listed on Textopian as a novel by Sabine Baring-Gould, dated 1898 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Novel
Author: Sabine Baring-Gould
Date: 1898 CE
Language: English
Genres: Adventure, Historical Fiction, Literary Fiction, Drama, Romance
Length: 173,539 words
Structure: 54 chapters, 3,674 paragraphs
Reading fit: Standard (8th-9th Grade)

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Genre and topic classification from the Textopian catalog
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Similar titles

Genres

Adventure — The plot involves exploration and the challenges faced at sea, central to the narrative.
Historical Fiction — The story is set in a specific historical context, reflecting the era's culture and events.
Literary Fiction — The writing style emphasizes character development and thematic depth.
Drama — The narrative explores intense emotional conflicts and human experiences.