The work examines the interplay between friendship, love, and the nature of poetic expression, particularly in the context of Shakespeare's sonnets. It begins with a reflection on the character of Charles Lamb and the literary contributions of Professor Wilson, suggesting that Wilson's management of Blackwood has been both fruitful and wasteful. The author expresses a desire for Wilson to compile his works into a cohesive collection, emphasizing the need for careful editing to preserve the integrity of the original thoughts. The text delves into the concept of love between men during the Elizabethan and Jacobean eras, positing that such feelings were not uncommon and could exist independently of physical desire. This notion is linked to the societal context of the time, where women were often perceived as less intellectually capable than men, leading to a unique dynamic in male friendships. The author references Shakespeare's sonnets, speculating on their intended audience, particularly the possibility that they were directed towards William Herbert, Earl of Pembroke. The argument is made that Shakespeare's sonnets reflect a deep, genuine love, likely for a woman, rather than a mere platonic affection for a male friend. The author suggests that the sonnets form a continuous poem, rich in emotional depth and artistic expression, characterized by a blend of rhythmic perfection and condensed thought. The work highlights the evolution of a poet's craft, noting that mastery comes with experience and a conscious awareness of one's abilities. The exploration of love's complexities continues, noting that the intensity of passion often fluctuates with the presence or absence of the beloved. The author concludes that the sonnets encapsulate the essence of love's trials and tribulations, revealing the poet's soul through a series of heartfelt expressions. The analysis ultimately underscores the enduring power of Shakespeare's work, affirming its significance in the literary canon and its exploration of human emotion.
By Samuel Taylor Coleridge · First published 1905 · Genre: Literary Criticism, Poetry, Romanticism