
In Potterwell, a fashionable Scottish watering-place built around the notoriously unpleasant but medically promoted Mephitic Assafœtida Waters, Frank Preston and his friend Mr Stukeley observe two mysterious, showily dressed strangers, Adolph Blowze and Eugene Lilylipz. The pair cultivate an air of fashionable travel, wealth, and superiority, while dismissing lesser imitators who seek their notice. Frank is especially disturbed because Adolph pays marked attention to Emily Cheesham, whom Frank loves. Mrs Cheesham, vainly determined to secure brilliant marriages for her daughters, welcomes the strangers as men of rank and fortune. Her lively, flirtatious daughter Emily encourages Adolph, partly to torment the jealous Frank, while the reserved Fanny is burdened with Eugene’s empty chatter. At Mrs Cheesham’s evening party at Slopbole Cottage, the guests endure a disastrous amateur performance of a Haydn quartette and a great deal of pretentious talk about music, literature, history, and architecture. Eugene, pressed to sing, begins a sentimental ballad about an Araby maid and a Christian knight. A servant, Sally, enters with negus, sees Eugene, and is so shocked that she drops the tray and flees. Eugene turns pale and leaves with Adolph. Stukeley and Frank question Sally, who identifies Eugene as Tom Newlands, son of Dame Newlands from her village, a former haberdasher; she also knows Adolph only as another man connected with the millinery trade. The supposed gentlemen disappear from Potterwell that night. Months later, Mrs Cheesham and Emily enter a large Edinburgh drapery warehouse and discover Eugene working there, carrying dress materials. Adolph also appears, recognizes them, and hides beneath a counter. Chastened by the exposure of the men she had treated as aristocratic suitors, Mrs Cheesham abandons her quality-hunting. Emily becomes wiser as well as witty and marries Frank Preston, who forgives her brief desertion because of her real good qualities. Fanny remains unmarried, but is not expected to seek a husband at country quarters.
By Theodore Martin · First published 1870 · Genre: Comic Fiction, Social Satire, Victorian Fiction · 7,497 words
A pleasanter little town than Potterwell does not exist in that part of her Majesty's dominions called Scotland. On one side, the hand of cultivation has covered a genial soil with richness and fertility. The stately mansion, "bosomed high in tufted trees," occasionally invites the eye, as it wanders over the landscape; while here and there the river Wimpledown may be seen peeping out amid the luxuriant verdure of wood and plain, and seeming to concentrate on itself all the radiance of any little sunshine that may be going. On the other side, again, are nothing but impracticable mountains -- fine bluff old fellows -- that evidently have an extensive and invincible contempt for Time, and, like other great ones of the earth, never carry any change about them. Look beyond these, and the prospect is indeed a fine one -- a little monotonous, perhaps, but still a fine one -- peak receding behind peak in endless series, a multitudinous sea of mountain tops, with noses as blue as a disappointed man's face, or Miss Harriet Martineau's stockings.
Scottish watering-place · nineteenth-century Scotland · spa culture · social satire · comedy of manners · class pretension · fashionable society · parvenus · romantic rivalry · courtship · marriage market · deceptive appearances
Country Quarters is listed on Textopian as a short story by Theodore Martin, dated 1870 CE.
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