
The narrative unfolds in a dreary railway waiting-room on a bleak May morning, characterized by a sense of desolation and stagnation. The setting is marked by faded pictures and a Testament left for travelers, which becomes a focal point for reflection. The protagonist engages with the Testament, discovering scribbled calculations that reveal the mundane concerns of a traveler, hinting at a life consumed by profit and loss. As the protagonist contemplates the soul of the bagman who made these notes, a soldier and his wife enter, embodying a more profound tragedy. Their haggard appearance suggests a heavy emotional burden, and through overheard dialogue, it becomes clear they are parting, possibly for good. This moment of human connection amidst the waiting-room's bleakness adds a layer of somber reality to the scene. The atmosphere shifts with the arrival of two children, whose innocent laughter and dreams of adventure contrast sharply with the earlier somberness. They express excitement about the journey ahead, envisioning a bright future filled with music and sunshine. Their joy momentarily dispels the gloom, illustrating the power of hope and innocence in a world often overshadowed by despair. As the rain continues to fall, the waiting-room becomes a microcosm of life’s varied experiences—loss, longing, and the fleeting nature of joy. The juxtaposition of the children's optimism against the backdrop of adult sorrow encapsulates the complexity of human emotions, leaving the protagonist and the reader to ponder the interplay of despair and hope in life's waiting moments.
By Thomas Hardy · First published 1917 · Genre: Poetry, Literary Fiction, Realism · 416 words
ON a morning sick as the day of doom / With the drizzling gray / Of an English May, / There were few in the railway waiting-room. / About its walls were framed and varnished / Pictures of liners, fly-blown, tarnished. / The table bore a Testament / For travellers' reading, if suchwise bent.
I read it on and on, / And, thronging the Gospel of Saint John, / Were figures-additions, multiplications- / By some one scrawled, with sundry emendations; / Not scoffingly designed, / But with an absent mind,- / Plainly a bagman's counts of cost, / What he had profited, what lost; / And whilst I wondered if there could have been / Any particle of a soul / In that poor man at all,
In a Waiting-Room is listed on Textopian as a poem by Thomas Hardy, dated 1917 CE.
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waiting · anticipation · human experience · existentialism · isolation · reflection · time · anxiety · life choices · interpersonal relationships · society · emotions