The Rope-Dancer

The Rope-Dancer by Tomás de Iriarte

A brash, inexperienced performer disputes the necessity of traditional tools and techniques taught by a seasoned mentor. He argues that the counterbalance instrument, deemed essential in the art, is an unnecessary hindrance, claiming his natural strength and agility render it superfluous. In an impetuous demonstration designed to prove his point, he abandons this support and attempts a maneuver without it. His overconfidence leads swiftly to a fall, underscoring the inherent risks of dismissing established methods. The mentor’s response is an admonition that mastery in the discipline requires not only innate vigor but also the consistent application of artful technique and the willingness to learn from setbacks. This narrative episode serves as an allegory for the broader principle that discipline, method, and respect for experienced guidance are indispensable in the pursuit of perfection, and that each misstep is an integral part of the learning process.

By Tomás de Iriarte · First published 1782 · Genre: Didactic Poetry, Fable, Satire · 252 words

First lines

As an unpractised urchin lessons took In dancing, of a veteran of the ring, On slack or tight rope, -- it is all one thing, -- The youngster said, -- "Good master, prithee, look; How this great staff bothers and wearies me, Which you call balance-pole or counterpoise!

In rope-dancing, what use one can devise For such a clumsy load, I cannot see.

Why should you wish my motions so to fetter?

I lack not strength, nor yet activity.

What this Textopian page supports

The Rope-Dancer is listed on Textopian as a fable by Tomás de Iriarte, dated 1782 CE.

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allegorical · didactic · fable · poetic · moral · neoclassical · Spanish literature · symbolic · satirical · stylized · balance · risk

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