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The suppers of the Dante Club were a relaxation from the severity of their toils on criticism, and I will not pretend that their table-talk was of that seriousness which duller wits might have given themselves up to. The passing stranger, especially if a light or jovial person, was always welcome, and I never knew of the enforcement of the rule I heard of, that if you came in without question on the Club nights, you were a guest; but if you rang or knocked, you could not get in.
Any sort of diversion was hailed, and once Appleton proposed that Longfellow should show us his wine-cellar. He took up the candle burning on the table for the cigars, and led the way into the basement of the beautiful old Colonial mansion, doubly memorable as Washington's headquarters while he was in Cambridge, and as the home of Longfellow for so many years. The taper cast just the right gleams on the darkness, bringing into relief the massive piers of brick, and the solid walls of stone, which gave the cellar the effect of a casemate in some fortress, and leaving the corners and distances to a romantic gloom. This basement was a work of the days when men built more heavily if not more substantially than now, but I forget, if I ever knew, what date the wine-cellar was of. It was well stored with precious vintages, aptly cobwebbed and dusty; but I could not find that it had any more charm than the shelves of a library: it is the inside of bottles and of books that makes its appeal. The whole place witnessed a bygone state and luxury, which otherwise lingered in a dim legend or two. Longfellow once spoke of certain old love-letters which dropped down on the basement stairs from some place overhead; and there was the fable or the fact of a subterranean passage under the street from Craigie House to the old Batchelder House, which I relate to these letters with no authority I can allege. But in Craigie House dwelt the proud fair lady who was buried in the Cambridge church-yard with a slave at her head and a slave at her feet.