Explore "The Charterhouse of Parma" by Stendhal on Textopian. Read with annotations and highlights.
On leaving the Archbishop's Palace, Fabrizio hastened to see little Marietta; he could hear from the street the loud voice of Giletti who had sent out for wine and was regaling himself with his friends the prompter and the candle-snuffers. The mammaccia, who played the part of mother, came alone in answer to his signal.
"A lot has happened since you were here," she cried; "two or three of our actors are accused of having celebrated the great Napoleon's festa with an orgy, and our poor company, which they say is Jacobin, has been ordered to leave the States of Parma, and evviva Napoleone! But the Minister has had a finger in that pie, they say. One thing certain is that Giletti has got money, I don't know how much, but I've seen him with a fistful of scudi. Marietta has had five scudi from our manager to pay for the journey to Mantua and Venice, and I have had one. She is still in love with you, but Giletti frightens her; three days ago, at the last performance we gave, he absolutely wanted to kill her; he dealt her two proper blows, and, what was abominable of him, tore her blue shawl. If you would care to give her a blue shawl, you would be a very good boy, and we can say that we won it in a lottery. The drum-major of the carabinieri is giving an assault-at-arms tomorrow, you will find the hour posted up at all the street-corners. Come and see us; if he has gone to the assault, and we have any reason to hope that he will stay away for some time, I shall be at the window, and I shall give you a signal to come up. Try to bring us something really nice, and Marietta will be madly in love with you."