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Since we have drawn the portrait and mentioned the name of Benvenuto Cellini, we crave the reader's permission, that he may the more understandingly approach the artistic subject of which we propose to treat, to indulge in a short digression upon this extraordinary man, who at this time had been living in France for two months, and who is destined to become one of the principal characters of this history.
But first of all let us say a word as to the goldsmiths of the sixteenth century.