Explore "The History of the Siege of Lisbon" by José Saramago on Textopian. Read with annotations and highlights.
IT TOOK THIRTEEN long and seemingly endless days before the publishers or someone acting on their behalf discovered the crime, and Raimundo Silva lived this eternity as if he had some slow-acting poison in his body, but ultimately as decisive as the most lethal toxicant, the perfect simile of death that each one of us goes through life preparing for and for which life itself serves as a protective cocoon, a propitious womb and ferment for cultivation. He made four visits to the publishers for no good reason, since his work, as we know, is freelance and can be done from home, exempt from the drudgeries that saddle ordinary employees, subjected to the chores of administration, editing, production, distribution and storage, a world under constant scrutiny and, by comparison, the task of proof-reader belongs to the realms of liberty. They asked him what he wanted, and he replied, Nothing, I just happened to be passing nearby and thought I'd call in.
He lingered awhile, listening to conversations and studying the expression on people's faces, trying to pick up any thread of suspicion, a sly, provocative smile, a phrase wherein he could detect some hidden meaning. He avoided Costa, not because he had anything to fear, but simply because he had deceived him, Costa thus becoming that personification of outraged innocence we are incapable of confronting, because we have wronged someone and they still have not found out. We are tempted to say that Raimundo Silva goes to the publishers like the criminal returning to the scene of the crime, but that would not be entirely true, Raimundo Silva is certainly attracted to the place where his crime will be discovered and where the judges will convene to pass the sentence that will condemn him, prevaricator, exposed, false and defenceless.