Explore "Children in Midwinter" by Alice Meynell on Textopian. Read with annotations and highlights.
Children are so flowerlike that it is always a little fresh surprise to see them blooming in winter. Their tenderness, their down, their colour, their fulness -- which is like that of a thick rose or of a tight grape -- look out of season. Children in the withering wind are like the soft golden-pink roses that fill the barrows in Oxford Street, breathing a southern calm on the north wind. The child has something better than warmth in the cold, something more subtly out of place and more delicately contrary; and that is coolness. To be cool in the cold is the sign of a vitality quite exquisitely alien from the common conditions of the world. It is to have a naturally, and not an artificially, different and separate climate.
We can all be more or less warm -- with fur, with skating, with tea, with fire, and with sleep -- in the winter. But the child is fresh in the wind, and wakes cool from his dreams, dewy when there is hoar-frost everywhere else; he is "more lovely and more temperate" than the summer day and than the winter day alike. He overcomes both heat and cold by another climate, which is the climate of life; but that victory of life is more delicate and more surprising in the tyranny of January. By the sight and the touch of children, we are, as it were, indulged with something finer than a fruit or a flower in untimely bloom. The childish bloom is always untimely. The fruit and flower will be common later on; the strawberries will be a matter of course anon, and the asparagus dull in its day. But a child is a perpetual "primeur".