Explore "The Hills of Hingham" by Dallas Lore Sharp on Textopian. Read with annotations and highlights.
It is doubtless due to early associations, to the large part played by cornfields in my boyhood, that I cannot come upon one now in these New England farms without a touch of homesickness. It was always the autumn more than the spring that appealed to me as a child; and there was something connected with the husking and the shocking of the corn that took deeper hold upon my imagination than any other single event of the farm year, a kind of festive joy, something solemnly beautiful and significant, that to this day makes a field of corn in the shock not so much the substance of earth's bounty as the symbol of earth's life, or rather of life -- here on the earth as one could wish it to be -- lived to the end, and rich in corn, with its fodder garnered and set in order over a broad field.
Perhaps I have added touches to this picture since the days when I was a boy, but so far back as when I used to hunt out the deeply fluted cornstalks to turn into fiddles, it was minor notes I played -- the notes of the wind coming over the field of corn-butts and stirring the loose blades as it moved among the silent shocks. I have more than a memory of mere corn, of heavy-eared stalks cut and shocked to shed the winter rain: that, and more, as of the sober end of something, the fulfillment of some solemn compact between us -- between me and the fields and skies.