Explore "The Debatable Land" by Arthur Willis Colton on Textopian. Read with annotations and highlights.
In the open country the seasons are free, and work their will with spacious confidence. There is room between heaven and earth. Spring runs down the back of the mountain forest, and races the river; the heat of summer has reason, leisure, and is motherly of green things; autumn has its cornfields, leagues of yellow landscape, and the progress in cool order of harvest and death; winter its distances and long-drawn breath from the pole. Their functions there are customary, familiar, old. They can swing at large. They need not hesitate. But in city streets they go timidly, as if they fancied something in man and his civil doings not in the original regulations. They are conservative. An innovation was made, not so long ago, in their ancient memories; a creature containing an unknown chemical was developed and introduced. They seem to remember that objections were made at the time. It was said, "You never can tell what will come of it." And you never could. They never became used to or at ease with it. The innovation was even dissatisfied with nature, the ground-plan and mother of them all. He laid out cities to contradict her. He questioned, too, the wisdom of his creation, noted his own discordance, and went on to call his discontent divine.
And spring entered Hamilton. One felt something moist, warm, and sticky in the air, and knew what she was about, trying to make civil kisses out of her fructifying young enthusiasm, her tidal tenderness, and feeling embarrassed so that she made something moist, warm, and sticky. Baby green leaves were on the maples of Shannon Street and on the elms of the Common; rain was on the roofs at dawn, and the gutters flowed all day; busy citizen birds were notable on lawns, strayed songsters gurgling with happiness, or voicing spring longing in plaintive "pee-wees."