In the Direction of the Beginning

Explore "In the Direction of the Beginning" by Dylan Thomas on Textopian. Read with annotations and highlights.

In the light tent in the swinging field in the great spring evening, / near the sea and the shingled boat with a mast of cedar-wood, the / hinderwood decked with beaks and shells, a folded, salmon sail, and / two finned oars; with gulls in one flight high over, stork, pelican, and sparrow, flying to the ocean's end and the first grain of a time-less / land that spins on the head of a sand glass, a hoop of feathers / down the dark of the spring in a topsy-turvy year; as the rocks in / history, by every feature and scrawled limb, eye of a needle, shadow / of a nerve, cut in the heart, by rifted fibre and clay thread, recorded for the rant of odyssey the dropping of the bay-leaf toppling of the / oak-tree splintering of the moonstone against assassin avatar undead / and numbered waves, a man was born in the direction of the beginning.

And out of sleep, where the moon had raised him through the / mountains in her eyes and by the strong, eyed arms that fall behind her, full of tides and fingers, to the blown sea, he wrestled over the / edge of the evening, took to the beginning as a goose to the sky, and / called his furies by their names from the wind-drawn index of the / grave and waters. Who was this stranger who came like a hailstone, / cut in ice, a snow-leafed seabush for her hair, and taller than a cedarmast, the north white rain descending and the whale-driven sea cast / up to the caves of the eye, from a fisherman's city on the floating / island? She was salt and white and travelling as the field, on one / blade, swung with its birds around her, evening centred in the never-still / heart, he heard her hands among the treetops-a feather dived, her fingers flowed over the voices-and the world went drowning / down through a siren stranger's vision of grass and waterbeasts and / snow. The world was sucked to the last lake's drop; the cataract of / the last particle worried in a lather to the ground, as if the rain from / heaven had let its clouds fall turtle-turning like a manna made of the soft-bellied seasons, and the hard hail, falling, spread and flustered / in a cloud half flower half ash or the comb-footed scavenger's / wind through a pyramid raised high with mud or the soft slow drift / of mingling steam and leaves. In the exact centre of enchantment / he was a shoreman in deep sea, lashed by his hair to the eye in the cyclop breast, with his swept thighs strung among her voice; white / bears swam and sailors drowned to the music she scaled and drew / with hands and fables from his upright hair; she plucked his terror / by the ears, and bore him singing into light through the forest of the / serpent-haired and the stone-turning voice. Revelation stared back over its transfixed shoulder. Which was her genesis, the last spark / of judgement or the first whale's spout from the waterland? The / conflagration at the end, a burial fire jumping, a spent rocket hot on / its tail, or, where the first spring and its folly climbed the sea barriers / and the garden locks were bruised, capped and douting water over / the mountain candle-head? Whose was the image in the wind, the print on the cliff, the echo knocking to be answered? She was orioled / and serpent-haired. She moved in the swallowing, salty field, / the chronicle and the rocks, the dark anatomies, the anchored sea / itself. She raged in the mule's womb. She faltered in the galloping / dynasty. She was loud in the old grave, kept a still, quick tongue in the sun. He marked her outcast image, mapped with a nightmare's / foot in poison and framed against the wind, print of her thumb that / buckled on its hand with a webbed shadow, interrogation of the familiar / echo: which is my genesis, the granite fountain extinguishing / where the first flame is cast in the sculptured world, or the bonfire maned like a lion in the threshold of the last vault? One voice then / in that evening travelled the light and water waves, one lineament / took on the sliding moods, from where the gold green sea cantharis / dyes the trail of the octopus one venom crawled through foam, and / from the four map corners one cherub in an island shape puffed the clouds to sea.

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