
Blanche Colton Williams studies George Humphrey’s “The Father’s Hand” as a tightly economical wartime tale shaped by a classical source. She opens with Humphrey’s account of the germinal idea: lines from the Æneid suggested a modern situation and supplied the story’s Latin resonance. Williams then maps the plot from the arrival of an Alsace-Lorraine monument carver in an English village through the downing of a German aircraft, the proposed epitaph, and the revelation conveyed by the unfinished inscription. The analysis explains Humphrey’s rehearsed presentation as a means of achieving mellowness, sympathy, and justification for the Latin phrases. It connects the fallen aviator to Icarus and identifies “Phœnix-Latin” and the Oxford Dean as elements creating a classical atmosphere. Williams also examines the refugee’s reticence as characterization by implication and closes by posing the significance of the village setting.
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Non-Fiction · 540 words
GERMINAL IDEA. "What started ‘The Father's Hand' was the quotation from the fifth, no, the sixth, book of the Æneid,
_Bis conatus erat casus effingere in auro Bis patrie cecidere manus._
Blanche Colton Williams · George Humphrey · The Father’s Hand · short-story study · plot structure · dramatic climax · Æneid quotation · Vergil · Icarus allusion · rehearsed narration · wartime English village · implied characterization
The Father's Hand is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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