The Menorah

The Menorah by Blanche Colton Williams

Blanche Colton Williams’s study of Benjamin Rosenblatt’s “The Menorah” begins with Rosenblatt’s account of the East Side fire and Sabbath candlesticks that prompted the story. It classifies the work alongside Rosenblatt’s “Zelig,” comparing their settings, elderly central figures, and “successfully unsuccessful” struggles. Williams identifies Lea’s efforts to preserve social appearances, arrange her daughter’s marriage, and retain the Menorah, distinguishing a minor climax, dramatic climax, and larger action climax. The analysis directs attention to omniscient narration centered on Lea, the function of Reb Schloime, earlier clues about the candelabrum’s fate, and Jewish national and racial customs in the setting. It also examines money as subordinate to ancestral pride, social decline, and other ideals, ending with Rosenblatt’s statement on plot and the short story.

By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 534 words

First lines

STARTING POINT. "A few years ago I passed one of the congested East Side streets just when a fire broke out in one of the tenements. I saw climbing down the fire escapes of the burning building a very old Jewess dragging some of her belongings with her. Among these belongings was a pair of old-fashioned, common-place candlesticks used for ‘Sabbath blessing. ' That started me on the way to ‘The Menorah. " -- _Benjamin Rosenblatt._

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Blanche Colton Williams · Benjamin Rosenblatt · The Menorah · short-story study · plot structure · minor climax · dramatic climax · omniscient viewpoint · Lea characterization · Reb Schloime · Jewish customs · Menorah symbolism

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The Menorah is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.

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