
Richard Wagner in Bayreuth is a book by Friedrich Nietzsche that discusses the composer Richard Wagner and his music festival in Bayreuth, Germany. The book includes Nietzsche's thoughts on Wagner's music, philosophy, and influence on German culture. It also explores themes such as artistic genius, nationalism, and the relationship between art and society.
By Friedrich Nietzsche · First published 1876 · Genre: Philosophy, Biography, Criticism · 11 chapters · 31,563 words
FOR an event to be great, two things must be united -- the lofty sentiment of those who accomplish it, and the lofty sentiment of those who witness it. No event is great in itself, even though it be the disappearance of whole constellations, the destruction of several nations, the establishment of vast empires, or the prosecution of wars at the cost of enormous forces: over things of this sort the breath of history blows as if they were flocks of wool. But it often happens, too, that a man of might strikes a blow which falls without effect upon a stubborn stone; a short, sharp report is heard, and all is over. History is able to record little or nothing of such abortive efforts. Hence the anxiety which every one must feel who, observing the approach of an event, wonders whether those about to witness it will be worthy of it.
Richard Wagner in Bayreuth is listed on Textopian as an essay by Friedrich Nietzsche, dated 1876 CE.
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Wagner · Bayreuth · music · philosophy · opera · German culture · aesthetics · art · theater · criticism · romanticism · 19th century